notes & things | 3/3/18
Today, I am working again, but it's my last Sat/Sun shift for a bit, so I'm looking forward to some of those coveted weekends off. I'm the usual kind of sleepy from having to be up at the ass crack of dawn, , but I've been working on the beginnings of the install for APOCALYPSE, USA, which is shaping up to be amazing, and planning for our artists' round table later this week. Also, loosely testing out the feasibility of a mini-conference in the fall devoted to our future focus topic, tenatively titled STRANGE FEVERS | MASS DELUSIONS, CONFUSIONS, AND INFATUATIONS (including things like cults, urban legends, cryptozoology (of course), victorian spiritualism, alien conspiracies, the salem witch trials, and all that fun sort of stuff (which is all the best sorts of stuff.)
In the studio, I've spent this last week beating it through author copies for AWP-goers and getting a good chunk into January orders. Also plotting some cover designs for upcoming books. The mermaid anthology is also taking shape very nicely, and I've decided on a final title, which I will unveil very soon. It was hard to narrow down, mostly since there was so much I wanted to take, but could not possibly fit into the box (there is a larger booklet that has individual poems by authors, but then also visual art objects, accordian books, postcards, tiny chaps, and such.
In other pursuits, I've had some extra time in the studios in the afternoon b/c of weekend shifts, but that meant my library time was eaten up by A of R tasks and conversations, so thus a bit less time to sneak in press & writing things this week overall, though I'm hoping tomorrow to dig back into the hunger palace series and maybe do a bit of painting.
I have my eye on spring and have already swapped out winter dresses for warmer spring ones (though I am still no doubt cardigan and tights bound for another month and a half), so I am so ready for warm weather it makes me teary. It's been a long fall into winter and I really need some leaves on the trees..
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