on poetic drama
My task this week is a return to the play script I began in November, whose subject matter and more is drawn from a chapbook series I wrote two decades ago. Revisiting a rcher avenue has been wild, even thought I love these poems and feel like they came at a time when my work was evolving quite quickly. Initially, I managed to draft what felt like a decent few acts, but on rereading, much like the fiction I occasionally try to write, it felt rather boring and ho hum compared to the poems I was working on in the interstices. I've spent the last few weeks reading and researching poetic drama (not necessarily verse drama, but feel I may be getting close to integrating the poetic and the dramatic with an eye toward performance. The result is a mix of portions of the original chap blended with dialogue and action sequences that I think may work well (or it may be a startling disaster, we shall see.) The ordinary language feels flat sometimes when you are trained, as a poet, to be high...