I seem to be unusually afflicted with a lack of focus on Mondays, so this may be rambling and foggy and barely an entry at all.   Perhaps it's the weekend, coming off a couple days that were blissfully free from obligation and mostly included sleeping and movie watching and a little bit of writing.  All very nice since I will be chained to the library next Sunday and then off to a conference the following weekend. I get a little resentful when I don't have free and clear weekends, but it seems that won't be happening until we are well into October.  

As for today, studio exploits were productive, and  I did manage to do some preliminary planning for our second Little Indie Press Festival, which is happening in late October, and did some more promo work for next week's UNCANNY SPECIMENS week, but not much else has been happening at my desk today, nor will it be happening before I leave (I also left my sketchbook and to-do lists at home, so I'm sorta flying blind today.)

Long time, no blog, but it seems like even my best, most productive days fizzle out before I actually get to turn to this space.  Still, in the library, there has been much afoot, including cooler fall, more moderate temperatures and that icy plunge back into the semester, which has so far bought boring things like spreadsheets, annual report compilations,  and textbook reserves processing, but also a rather successful Game Night followed by our best Zine Night thus far.  Now we're in the thick of it, planning for our Focus Week (taxidermy and nature-focused art) at the end of this month and the upcoming Indie Press Festival happening October 21st. The Focus week includes not only an artists panel and printmaking workshop, but now a Cryptozoology reading, which promises to be fun.  I am also hatching some more poetry related programming for spring.

dgp happenings are chugging along as usual, including assembling and sending out copies of the slew of books I've been working on that released at the end of August and reading new submissions, some of which I have already been sending out responses for.  I am trying to move through at least a few submissions everyday in order to stay within my ideal 3 month response window, but I find too much to love and will have to return to many of the manuscripts for a second read (I admit, a wonderful problem to have.)  I am hopping to be finished by the end of October with all decisions made, so we'll see how it goes.

Creatively, there is the usual struggle with allotting time for creative projects, but while the Dali project has stalled out, I've been spending a little time with some Plath centos for an artists book project I am working on (well, it's more like a project in parts, I'll write more on this later.  It's a strange thing to be living among another poets words, but sometimes, even as much as I like Plath, it feels a little too confining, so hopefully those urges can be channeled back into the Dali pieces. I did start a new batch of paintings that are a little more wildflowery and a little less lush than my other florals and I'm digging them greatly. More soon...

weekend postcards

some notes from behind the scenes of dgp

Every once in a while, I like to do a rundown on my experiences and procedures as an editor and how things operate at dgp. (it's handy for new authors, who might be interested in timelines and schedules and stuff, but also gets me thinking about better, more effective ways of doing things. Sometimes, it's all chaos all of the time, (really most of the time, especially when you add in dayjob obligations, my own creative work, and other timesuckers (long commutes, errands) or in good times, leisure (but then what is that?)

I tend to work on several titles at a time, which thanks to expeditious use of post-it notes, dropbox,  and e-mail folders usually keeps some of the chaos at bay. Usually I might be releasing one chap, laying out another, or doing final proofs on another--sometimes all in the same week, so these things help me to keep organized.  I usually start by corresponding with  upcoming authors to secure the most final version of the chap if they've made changes since the acceptance or have updated acknowledgements.  Usually, if we haven't already, we will begin talking about the cover--general things they'd like to see,  other covers they like, pieces of work from artists they might know who would let us use it.   Sometimes,  they have designer friend who are willing to layout a full cover and deliver a print ready file.  Sometimes I work from scratch with my own ideas or things they've suggested, or sometimes create specific pieces of work on my own that fit with the book.   For my own layouts,  I use a combination of various photo editing programs and MSWord or Publisher to create a pdf (obviously there are better ways to do this with things like the Adobe Suite, but since I like to be able to access files at various times on a host of different computers --at home, the studio, the library where I work.

Depending on the formatting, inside layout can take anywhere from a couple hours to a couple days.   and I find myself making decisions on text size fonts margins and such. I also use word for this for the same access reason above.  I usually take a pass through on the first galley to catch any noticeable missteps or formatting issues and then send it to the authors for a look, which they then make suggestions on.   If there are more complicated formatting things or questions, there might be a couple more rounds of back and forth.  Once I have a finalized version I will run a test print to make sure all looks good.


At this point, I begin getting get the webpage up and start promoting the book through social media channels and such. I try to do this at least a week before I actually start printing because I can gauge how many copies we are going to need right out of the gate.  I usually do a first batch anywhere from 30-50 depending on whether the author wants to pick up extra copies, or if there are a lot of initial orders or requests for review copies.  I will then keep printing in batches of 10 or so as I need more. I try to keep at least a small batch in the studio of the last year or so's releases for when we have open studios.

It usually takes about a week to two weeks to print, collate, bind, and trim the books (this can be longer or shorter depending on how many books I am working on at once and the volume of orders and author copy requests at any given moment (and how much studio time I am getting in)  Since I am still coveting a tabletop press, I have a big metal weight that I use to "smoosh" the books to make them nice and evenly flat, so I try to leave them under that for a day or so before I ship them out.

 I am usually about 2-3 weeks processing time on outgoing books depending on how new the title is and the volume of orders. I try to send out anywhere from 20-30 orders per week, which necessitates some time making copies if I don't have them in stock, stuffing envelopes, addressing labels and fixing stamps (or sometimes printed labels.)

I also spend a small portion of time monthly ordering supplies, ink, paper, cardstock, shipping supplies. During the summer and early fall, I am also reading submissions for the following year's schedule, which has it's own set of procedures and processes And sometimes reading submissions for wicked alice. or other special anthology projects.

Over the years,  there are things that have made my life so much easier. Booklet format  and double sided printers saved me years of laying things out with alternating A/B sides. Faster printers.  Better, heftter trimmers and staplers. We will occasionally hand bind a chap (saddle style or japanese stab binding) but 99 percent are staple bound.  (I adore beautiful hand bound books, but I am really sort of terrible at it and wind up bleeding more than binding).

30

Perhaps it's a tad self-indulgent, but sometimes I like to play the 10-20-30 game with my memory.  On the bus ride downtown this morning I got to thinking about the 30 Years mark, and it's absolutely crazy to me that 30 odd years ago I was ever 12, ever in the 7th grade,  and ever starting junior high and absolutely terrified.  It's long enough ago that there are really only snippets of memory.  So much trepidation.  Getting lost.  Getting to class on time. The fear of figuring out the combination lock on my hall locker.  The fear of horrible gym outfits with scratchy polyester shorts (and their attendant distance  running and awkward gymnastic demands).  But also my first experience carrying a purse on the regular, which was a knockoff Chanel quilted bag with chain strap, but later, after said strap broke, huge pastel colored totes. My love of the vending machine for fancy pens and a steady diet of roll on lip gloss.  My typing class and learning to play the clarinet in a band room that smelled a little like brass, a little like old spit.

I loved my 1st period geography class, where every Friday, our teacher played current events trivia and I was a crack shot.  I kept stealing my mother's clothes (oversized button up shirts worn over stirrup leggings).  Ate a ridiculous number of odd peanut butter sandwiches with off-colored jelly that fell out of the sandwiches and onto your notebook.  How I fell a little in love for the first time that December with a very funny blonde boy who was lukewarm through the year and wound up blowing me off the next summer.  (a precursor to every funny boy who ever broke my heart).  How intense that feeling and that scary in and of itself. I hadn't yet found my core friend group and wouldn't until the next year, so I moved on the fringes of a couple different ones. At 12, I hadn't yet caught the ambition fever of high school and future careers and colleges, so middle school was more like a calm before the storm.  I do remember trying to write a horror novel in the 8th grade. Loving Edgar Allen Poe.  Mostly, spending all my time reading Sweet Valley High-sh type books I'd check out in thick stacks from both our school and public library.  Flinn's library actually did look like a library, with big windows and wood tables and a hulking card catalog, at least moreso than the orange carpeted nightmare of highschool (which was horrible and looked more like the Breakfast Club library)  and I'd spend my lunch hours in there sometimes, browsing the fiction collection.  Someday, I'll write a book, "Library's I Have Known" and Flinn's would be one of my favorites.

friday frivolity

 Since it's been unreasonably hot the past couple of weeks with only brief repreives, I've already turned my thought toward fall things--warm knits, boots, lots of corduroy.  I also managed to pick up a cheapie leather jacket for a steal on ebay (well, faux leather, but a an uncharacteristically feminine cut and a little bit of ruffle action.)  I'm looking forward to sporting it with, among other things, all my lovely fall florals, a very 90's reminiscent look, but one of my faves.

Also, sweater dresses, a perennial favorite that I simultaneously have way too many of and not nearly enough, but one of my chief favorite things about winter (of which there are really very few things--maybe sweater dresses and hazelnut hot chocolate. )  I'll be bitching about the cold in a few brief months, but with the 90's and high humidity outside, I'll indulge myself in a little daydreaming.and longing for fall.

Much has been afoot in the realms of editing and booknmaking, including all these lovelies.  I am also knee deep in manuscripts for next year, as well as making final cuts for the mermaid project and plotting out how it will manifest. (It's gonna be a box, but I think I just need a bigger box--full of poems and prints and postcards and all sorts of beautiful things.)  The manuscripts are really amazing as well, which will make final decisions super difficult to make in the next couple for month.  Things are still rolling in til the end of August.  I would like to finish up the Dali poems and the collage series I've been working on.  Also get a handle on the release of strange machine, the latest zine project that will be hatching very soon. There are other art and writing projects that are floating in the ether, some of them already underway and some that need to be embarked on. Since I have taken far too many vacations this summer, so I am doomed to work all through August, which means I can work pretty steadily through the month without interruption.  Also, September always being s a new burst of seriousness and get-down-to-businessness.