Friday, July 21, 2017

frivolous friday | vintage obsessions



I've been thinking a lot lately about collections.. Since pretty much the entirety of my household has come either via thriftstores or  secondhand over the years I've managed to amass some pretty cool stuff, including two mid-century avocado media cabinets, a battered old workbench I use for painting, a small collection of industrial stools and office chairs that are much much  cooler than any new dining room set.  I do have a few pet collecting  passions I've been taking  some shots of recently, including mid-century dishware, vintage purses and framed flowers and crewel work.  I'm fast running out of room to indulge the hoarding, but I did recently procure another leopard print bag and a cherry print needlepoint purse, on top of a couple more pyrex mixing bowls.  I also indulged a new fascination with black velvet kitch paintings, that may become an entirely new obsession.












Wednesday, July 19, 2017

Image may contain: plant, bedroom, table and indoor

Long time, no blog, but things have been insanely insane for the past few weeks that were filled with many things  (vacation time with my folks, 4th of July festivities, all sort of prep for the fall semester in the library,  lots of bookmaking in the studio)   I  came back to the city still reeling from losing Zoe, one cat half of the gingers, trying to catch up on work I'd missed during my time away, and have been just trying to keep my head above water.  

Things are slowing back into their normal routines, and I've been doing a little studio re-arranging (I did a huge supply buying binge over the weekend and picked up a new partition to hang artwork on since the wall space is pretty much occupado with shelves and furniture these days,  a rack for prints, ample cardstock and all sorts of other supplies like printmaking ink and paper. It was the first time I had a little financial breathing room since my New Orleans trip in the spring, so it was a bit cathartic. This of course was a bribery strategy to force me into doing an open studio in the fall--probably in October--so more on that as it gets close.

While I was in Rockford, I was able to put final touches on the HOW TO WRITE A LOVE POEM IN A TIME OF WAR series AND dig quite deep into the pieces that accompany the UNUSUAL CREATURES collages that will eventually be a sort of box project.   I was writing longhand, mostly since all I had access to was my small tablet and no keyboard, but it was an interesting variance for someone who mostly, outside of initial notes, composes on a screen and has since around 2005 (though I less looking forward to all the typing of drafts--it's a hefty chunk of text. )  I was able to get into a certain zone on the second project that I can't usually manage when I'm working all the time, so hopefully it was fruitful (I haven't yet looked at it since I got back, it all may be garbage.)

Plans are afoot for the fall term, and so far include a week devoted to tattoo art, zine night, a black light painting workshop, and a street vs. studio art battle and that's just September. Plus some fun gaming shenanigans on the side, including an Old Hollywood themed murder mystery in December.

In press doings, I am soldiering on through the summer releases (which I am only slightly behind on as usual) and looking toward fall.  Also doing some reading in the submissions queue, which is looking promising (and already worrisome in its size and bulk).

Summer has been alternating between oppressive and mild just enough to be mostly comfortable, and, to boot, has been extra stormy this year, which I appreciate (unless I'm trying to go out in it and wind up umbrellaless and drenched like last week on the way to the library) There's something exciting about a certain kind of heat that breaks every night with crashing, calamitous weather (well, not too calamitous.)